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SELLING PICTURE OF BRITNEY SPEARS - $150 (CANOGA PARK)
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"From scholarly artist's statements to perverse fictional stories and experimental fragments,"3 the Hawkins model--aloof, selfdelighting, and confident in piecing together images, words, and found objects--has become daily practice in a culture contoured by social media's nodes, ties, links, and connections. Effortless communication has made self-mythologizing de rigueur, and Hawkins's seductive and wistfully addictive collaging is now commonplace for the rest of us with photo programs on our computers. Compulsive appetites and creative impulses draw on the immediate and wide-reaching venues of Facebook, YouTube, and Twitter, re-contouring the landscape of public fantasy and further expanding the notion of heterogeneous production. Within this landscape, much of Hawkins's collage work manifests as strikingly quaint.