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This link recently saved by paulb on May 28, 2013
The new HyperSync app (free to download in the iTunes store) has been developed by Vetrya and is powered by Civolution’s audio watermarking technology, SyncNow, which enables real-time identification and frame accurate synchronization between broadcast, on-demand or recorded television content and in
This link recently saved by paulb on March 01, 2013
Why is ITV so keen to talk up the performance of its production and online gaming businesses? It's because the broadcaster - like many other companies across the media - is trying to decrease its reliance on a fickle ad market. The second paragraph of ITV CEO Adam Crozier's statement on the broadcas
This link recently saved by paulb on February 14, 2013
If you’ve been on Netflix lately, you may have seen a trailer for House of Cards, the company’s first big original content play. But chances are, the version of the trailer you got to see is different from the one that the site presented to me. That’s because Netflix is using ten different cuts, geared towards different audiences – and presents them to viewers based on their past viewing behaviour.
This link recently saved by paulb on October 13, 2012
They’re calling the videos oral histories rather than interviews. Disaggregated from the narrative of the documentary itself, the videos, each running 30 minutes plus in length, feel like a one-on-one conversation rather than a piece of a candidate profile. It’s a sitdown with Ann Romney or Rahm Emanuel, in their own words.
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The production order, calling for all footage shot on 19 and 20 October, is also being served upon other news outlets.
I am resisting the order with the full support on the National Union of Journalists (NUJ) and legal support from Bindmans Solicitors. The handing over of material, either published or unpublished goes against the NUJ Code of Conduct.
I strongly believe a journalist should protect her/his confidential sources and material gathered in the course of her/his work. If I am forced to comply with the production order I am being forced into breaching my own union’s ethical code, but also to be forced into being an unwilling agent of the state, handing over material that will surely be used as intelligence.