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This link recently saved by godog on July 10, 2011
When you use something for a long time you will develop some kind of sensing of what goes together and what does not appear to fit the common pattern. The Python community seems to have given this effect a name: if something matches the common patterns it's “pythonic” if it's not, it's deemed “unpythonic”. Most aspects of the language itself are designed to not surprise you if you use them in case there would be more than one possible behavior. This is what many people refer to the Principle of Least Astonishment). In my mind there are only a handful exceptions to that rule in the language design which I will cover here as well.
This link recently saved by godog on June 26, 2011
Typography is not merely the process of arranging font on a page. It is a living creature; it feels joy in an exclamation point, takes deep sighs at periods, grabs consciousness with each bold strike and begs for understanding in the space between every italic. It has intricate rhythm and harmony, staccato paragraphs and legato headers that blend into a melody of enlightened web design. Typography is an art as much as it is an essential design process, and it is one that is best understood by focusing on the contrast between textual elements in a given design.
This link recently saved by godog on June 20, 2011
This web page is a revised and extended version of Appendix A from the book Conceptual Structures by John F. Sowa. It presents a brief summary of the following topics for students and general readers of that book and related books such as Knowledge Representation and books on logic, linguistics, and computer science.
This link recently saved by godog on January 09, 2011