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This link recently saved by ajrigau on October 15, 2010
Common to all of Finlay's diverse production is the inscription of language - words, invented or borrowed phrases and other semiotic devices - onto real objects and thus into the world. That language inhabits, for Finlay, a material or real dimension gives rise to the two seemingly opposed but signal characteristics of his work
This link recently saved by ajrigau on February 01, 2010
This link recently saved by ajrigau on December 31, 2009